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Title: Julius Caesar
Author: William Shakespeare
Rating: 3.5 of 5 Stars
Genre: Play
Pages: 192
Words: 55K
From Wikipedia:
The play opens with two tribunes (appointed leaders/officials of Rome) discovering the commoners of Rome celebrating Julius Caesar’s triumphant return from defeating the sons of his military rival, Pompey. The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commoners, who return the insults. During the feast of Lupercal, Caesar holds a victory parade and a soothsayer warns him to “Beware the ides of March,” which he ignores. Meanwhile, Cassius attempts to convince Brutus to join his conspiracy to kill Caesar. Although Brutus, friendly towards Caesar, is hesitant to kill him, he agrees that Caesar may be abusing his power. They then hear from Casca that Mark Antony has offered Caesar the crown of Rome three times. Casca tells them that each time Caesar refused it with increasing reluctance, hoping that the crowd watching would insist that he accept the crown. He describes how the crowd applauded Caesar for denying the crown, and how this upset Caesar. On the eve of the ides of March, the conspirators meet and reveal that they have forged letters of support from the Roman people to tempt Brutus into joining. Brutus reads the letters and, after much moral debate, decides to join the conspiracy, thinking that Caesar should be killed to prevent him from doing anything against the people of Rome if he were ever to be crowned.
After ignoring the soothsayer, as well as his wife Calpurnia’s own premonitions, Caesar goes to the Senate. The conspirators approach him with a fake petition pleading on behalf of Metellus Cimber’s banished brother. As Caesar predictably rejects the petition, Casca and the others suddenly stab him; Brutus is last. At this point, Caesar utters the famous line “Et tu, Brute?”[2] (“And you, Brutus?”, i.e. “You too, Brutus?”), concluding with “Then fall, Caesar!”
The conspirators make clear that they committed this killing for the good of Rome, to prevent an autocrat. They prove this by not attempting to flee the scene. Brutus delivers an oration defending his actions, and for the moment, the crowd is on his side. However, Antony makes a subtle and eloquent speech over Caesar’s corpse, beginning with the much-quoted “Friends, Romans, countrymen, lend me your ears!”[3] In this way, he deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus’s speech, yet there is a method in his rhetorical speech and gestures: he reminds them of the good Caesar had done for Rome, his sympathy with the poor, and his refusal of the crown at the Lupercal, thus questioning Brutus’s claim of Caesar’s ambition; he shows Caesar’s bloody, lifeless body to the crowd to have them shed tears and gain sympathy for their fallen hero; and he reads Caesar’s will, in which every Roman citizen would receive 75 drachmas. Antony, even as he states his intentions against it, rouses the mob to drive the conspirators from Rome. Amid the violence, an innocent poet, Cinna, is confused with the conspirator Lucius Cinna and is taken by the mob, which kills him for such “offenses” as his bad verses.
Brutus next attacks Cassius for supposedly soiling the noble act of regicide by having accepted bribes. (“Did not great Julius bleed for justice’ sake? / What villain touched his body, that did stab, / And not for justice?”[4]) The two are reconciled, especially after Brutus reveals that his beloved wife committed suicide under the stress of his absence from Rome; they prepare for a civil war against Antony and Caesar’s adopted son, Octavius, who have formed a triumvirate in Rome with Lepidus. That night, Caesar’s ghost appears to Brutus with a warning of defeat. (He informs Brutus, “Thou shalt see me at Philippi.”[5])
At the battle, Cassius and Brutus, knowing that they will probably both die, smile their last smiles to each other and hold hands. During the battle, Cassius has his servant kill him after hearing of the capture of his best friend, Titinius. After Titinius, who was not captured, sees Cassius’s corpse, he commits suicide. However, Brutus wins that stage of the battle, but his victory is not conclusive. With a heavy heart, Brutus battles again the next day. He asks his friends to kill him, but the friends refuse. He loses and commits suicide by running on his sword, held for him by a loyal soldier.
The play ends with a tribute to Brutus by Antony, who proclaims that Brutus has remained “the noblest Roman of them all”[6] because he was the only conspirator who acted, in his mind, for the good of Rome. There is then a small hint at the friction between Antony and Octavius which characterizes another of Shakespeare’s Roman plays, Antony and Cleopatra.
This was the most enjoyable play of ol’ Shakes that I’ve read in quite some time. I don’t know if it’s because I can appreciate Brutus and his reasoning about why he had to assassinate Caesar or having a group of more mature characters helped, but whatever the reason, I found myself quite enjoying this.
My only issue with Brutus and his actions was that he had decided Caesar was going to take power even though he had declined it three times previously. What gave him that idea? What had Caesar done? Nothing as far as I could tell. But Brutus had the idea stuck in his head and so he murdered a man over something he hadn’t done yet. I’m all for preventative action but that’s taking it a titchy bit too far.
Bad form, old chap, bad form I say!
★★★✬☆
Too little, too late from Shakespeare, he’s blotted his copybook once to often and I’ve given up on his stuff.
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I’m not surprised. That’s the problem of being a celebrity writer. You burn a lot of potential fans with that lavish lifestyle. I mean, he probably ate every single day!
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Jules was putting on airs though like he wanted to be king, or thought he was a god. Though it’s an interesting take that Brutus was too quick on the draw. I guess the calculation at such times is that it’s better to be too early than too late.
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Despite modern military doctrine being of the pre-emptive nature, I prefer to wait to judge someone until they have done something, or are so far along a path that the outcome is inevitable (like Iran and their uranium enrichment “program”)
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I believe the Horus Heresy was based off of this scenario alone.
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It sounds like it, doesn’t it? The best stories are the recycled ones after all.
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Hm, I concur that it’s a good ‘un.
The 1950s adaptation with Marlon Brando as Marc Anthony is pretty good. There’s also a 60ish version with Charlton Heston as Anthony and Jason Robards as Brutus. Costume design is wonky but it’s good, too.
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After reading Alex’s various reviews of Shakespeare movies I’ve pretty much sworn off. I saw Branaghs Henry V in high-school so I feel I did my movie duty 🙂
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Good point, did he review either of those?
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Not since I’ve started following him…
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I think you should write one of these Shakespeare reviews in his writing style. You know, just to honour him or something. 😀
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I have thought about trying something in iambic pentameter but just can’t do it. The rhythm escapes me…
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Well Cassius and Tinitus were all Romeo and Juliety, all a bit bonkers I think.
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Yeah, everyone besides Brutus really had their own personal agenda to make things complicated.
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This is probably my favorite work of Shakespeare. Great review. I always took Brutus not having clearer motivation as a subtle condemnation of his actions.
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Thank you 🙂
I’m beginning to wonder if this won’t end up as my favorite too. I really enjoyed it.
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I know a lot of his other work is more widely loved (Hamlet, King Lear, MacBeth, etc.) but I always preferred this one.
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Don’t mind me. I’m just putting some pots out here for when I get up.
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Ah, here they are. Right where I left them.
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I can tell by the silence that you found my bomb filled replacement pots…
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I was just letting you sleep in. Now that you’re up . . .
CLANGCLANGCLANGCLANGCLANGCLANGCLANGCLANG!!
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BOOM BOOM BOOM BOOM
Alex, Alex? Is there anything left of you?
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WHAM! BANG! BONG! CLANG!
This is a good pot!
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He’s dead Jim
Nooooooooo!
alas, poor Alex, I knew him well.
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