Cat Magic ★★☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Cat Magic
Author: Whitley Strieber & Jonathan Barry
Rating: 2 of 5 Stars
Genre: Urban Fantasy
Pages: 353
Words: 134K

Ooooooh boy. * puffs out cheeks *

I’ve never read anything by Strieber before and wanted to give his writings a go. I knew he was horror’ish or real life aliens or something weird, so I thought I was prepared. I had no idea.

I saw the subtitle for this book on a later edition and it was “A Tale of Modern Witchcraft”. I really wish I had seen that before deciding to start with this book. I guess if I could sum up this book I’d go with “sexual orgies while children watch and the only sin is Guilt itself”. Ughhh. There was a lot of theological ideas put forth that I really had to disagree with. Not in an angry way but more in a “are you serious?” way.

While I have a bunch of Strieber’s books on tap, I think I’m going to try his Omega Point duology next. It’s about aliens somehow. If he puts forth more bad theology though, I’ll be done with him. I have no idea who this Barry fellow is or what part he played in writing the story. I wonder if he did the heavy lifting though.

Overall, this was not a good first impression and I certainly won’t be recommending Strieber even if his later books improve.

★★☆☆☆

Event Horizon (1997 Movie)

Event Horizon is a 1997 Space Horror movie directed by Paul Anderson, who later went on to direct many of the Resident Evil movies.

I really like this movie. If you had told me beforehand that I’d like a space horror movie that involves a possessed spaceship that kills it crew, well, I’d probably have looked at you funny and suggest you get your head checked.

The basic story is that in 2040 the Event Horizon, utilizing a new gravity drive to break the speed of light, disappears with all crew. The movie starts 7 years later when it mysteriously re-appears. A rescue ship is sent with a small crew to find out what happened. Along with them is Dr Weir, the creator of the gravity drive. They get to the ship, it’s abandoned but something is on board and begins killing them. Dr Weir gives in to be with what appears to be his dead wife and only 3 members of the rescue crew survive and make it back to earth. The Event Horizon goes back to the alternate dimension of hell that it came from.

On this rewatch, I realized that part of the reason I like this so much is because there are little flashes from the hell dimension that remind me of the cenobytes from Hellraiser, another horror movie that surprised me by how much I liked it. Nothing big mind you, just these very quick, almost too fast to process, images of the former crew and the current crew, going through tortures with chains and spikes, etc.

Of course, being a horror movie, there are some really stupid, illogical parts that you have to turn your brain off for. First and foremost, how does the entire scientific world forget the latin language in 50 years? The last message from the Event Horizon has the captain saying something in latin but no one on Earth recognizes it? Secondly, most of the crew do not act like seasoned space rescue operators. They act like the jomokes down at the local Cumberland Farms who hang out in the parking lot smoking weed, thus turning themselves into dumb as bricks idiots.

On the plus side, Sam Neal as Dr Weir, going off the deep end, is fantastic. He has guilt about his wife committing suicide way back when because he chose work over her and how the entity mimics her is a joy to behold. His unravelling is superb, as he’s a jerk to begin with. Laurence Fishburne is the captain of the rescue ship and he’s appropriately hard nosed yet caring.

The only part I wish had been different would have been the ending. 3 of the crew survive and are rescued. One of them thinks the rescuers are the possessed Dr Weir and has a break down but the movie ends very clearly with them having escaped. What I would have appreciated is a scene showing them still on the Event Horizon, living their rescue over and over and it failing each time. THAT would have been much more inline with the tone of the movie.

Man, can you believe I am suggesting a worse ending instead of a happier one? Surprises me too! I guess that plays a part in why I like the movie so much.

Dead Silence ★☆☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Dead Silence
Series: ———-
Authors: Stacey Barnes
Rating: 1 of 5 Stars
Genre: SF
Pages: 319
Words: 109.5K



Synopsis:

From the Publisher & Me

Claire Kovalik is days away from being unemployed―made obsolete―when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn’t right.

Whispers in the dark. Flickers of movement. Messages scrawled in blood. Claire must fight to hold on to her sanity and find out what really happened on the Aurora before she and her crew meet the same ghastly fate.

Turns out everything was caused by a machine put on board the ship by a rival company that was supposed to make everyone feel dread and uneasiness. The ship used a new alloy and the interactions between the machine and ship drove everyone insane.

Claire survives as does her loverboy and they get rich and own their own shipping company. The end.

My Thoughts:

I went into this with very high hopes. Both Mogsy and Maddalena had reviewed it and while there were some little things that niggled at me, what they wrote sounded fantastic.

Things started out really great. I’m talking Event Horizon levels of great in fact. Which is exactly what I wanted and was looking for. Then I find out the main character is insane, so I can’t trust a word coming out of her mouth, then the whole “scary” situation gets “scyenzesplained” to me and THEN romance right at the end where the man knows exactly what to do and what to say like he’d read the main character’s insane mind and was pretty much the perfectest man ever.

It blew my mind. In a bad way. I was pretty angry in fact. To go from people ripping their own eyeballs out to scyenze to romance was more than I could take. Stacey Barnes took a space elevator ride straight to my Authors to Avoid list with this book. What gets me is that it DID start out so fantastic. WHY did she have to go and change things and ruin everything? I could smell the hotdog. I could see the hotdog. Then the author gave me a celery stick and acts like it was that all along. GRRRRRRRRRRRRRRRR.

So if you want a scary story that is ruined by scyenze and romance, this is definitely the book for you. If I cared more, I’d cross post this review to all sorts of other platforms just to give people fair warning. But in about 10 years nobody will ever remember this book, because it truly is that bad. I’ll step aside and let Time be the author’s executioner.

Rating: 1 out of 5.

A Season in Carcosa (The King in Yellow Anthology #4) ★★★★✬

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: A Season in Carcosa
Series: The King in Yellow Anthology #4
Editor: Joseph Pulver
Rating: 4.5 of 5 Stars
Genre: Cosmic Horror
Pages: 268
Words: 100K



Synopsis:

Table of Contents

This Yellow Madness (introduction) by Joseph S. Pulver, Sr.

My Voice is Dead by Joel Lane

Beyond The Banks of the River Seine by Simon Strantzas

Movie Night at Phil’s by Don Webb

MS Found in a Chicago Hotel Room by Daniel Mills

it sees me when I’m not looking by Gary McMahon

Finale, Act Two by Ann K. Schwader

Yellow Bird Strings by Cate Gardner

The Theatre & Its Double by Edward Morris

The Hymn of the Hyades by Richard Gavin

Slick Black Bones and Soft Black Stars by Gemma Files

Not Enough Hope by Joseph S. Pulver, Sr

Whose Hearts are Pure Gold by Kristin Prevallet

April Dawn by Richard A. Lupoff

King Wolf by Anna Tambour

The White-Face At Dawn by Michael Kelly

Wishing Well by Cody Goodfellow

Sweetums by John Langan

The King Is Yellow by Pearce Hansen

D T by Laird Barron

Salvation In Yellow by Robin Spriggs

The Beat Hotel by Allyson Bird

My Thoughts:

My goodness, these anthologies are going up and down for me like a teetertotter! When they are good, they are REALLY GOOD and when it’s bad, it’s so bad I can’t finish them. Thankfully, this was on the upper part of the seesaw.

I went into this a bit worried since Pulver was the editor and I absolutely hated the previous book which was edited and written by him. Thankfully, he only contributed a small part of this. I did realize that I don’t like his writing, period though. There were 1 or 2 poems, which did nothing for me. But Pulver’s story was the only real let down. Not surprising but it’s what kept this from a full 5star.

But most of the other stories were flipping fantastic if you dig cosmic horror. From slides into madness and horror to the unveiling of horrific powers, these ran the gamut from shiver your backbone to a chill of deliciousness running down your spine to the completely inexplicably weird.

I really can’t say that any of these were “better” than the others, but the 2 I do remember are Yellow Bird Strings and Wishing Well. YBS was about a former puppeteer who by the end of the story has become the puppet himself. It was hard to tell if he was going mad or if it was all real. Exactly the right tone for a King in Yellow Story. WW on the other hand, had real IT (by Stephen King) vibes with 2 storylines about kids and them now as adults. A twisted tv show created by a cult of the KIY was the focus and the ending where the main character who appears to be a loser the whole time is revealed to be the son of the King in Yellow, or something like that. It was deliciously spine tingling.

Another absolute winner of a read and I’m pretty happy. These books are definitely not for everyone, in fact I’d say that the majority of readers wouldn’t go for The King in Yellow, but they fit me like a glove, so I’m going to revel in them while I can.

Rating: 4.5 out of 5.

The King in Yellow Tales ★☆☆☆☆ DNF@50%

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: The King in Yellow Tales
Series: The King in Yellow Anthology #3
Editor: Joseph Pulver
Rating: 1 of 5 Stars
Genre: Cosmic Horror
Pages: 249 DNF/125
Words: 77.5K DNF/39K



Synopsis:

From the Publisher

Collected within this substantial volume of madness, murder, and spectral tragedy are tales of Carcosa, the characters that inhabit the KIY “Play”, and Chambers’ cosmic horror. Pulver’s tales adhere to Chambers’ core ideas and themes, and they retain all the mystery of Chambers originals. Joseph S. Pulver, Sr. has been acclaimed by many notable editors, writers, and reviewers, as the contemporary heir to Robert W. Chambers’ “King in Yellow”. Have you seen the Yellow Sign?

“‘The King In Yellow’ reigns over the labyrinthine crossroads between the grand indifference of the cosmic Outside, and the inner wasteland of the tormented mind, so it’s no surprise to find Joe Pulver’s saturnine face so frequently behind the Pallid Mask. Joe plies the fathomless depths of existential nightmare breathing music and poetry, and brings back strangely beautiful salvage. That he has so lovingly and deeply explored Chambers’ bizarre pocket universe without destroying the merest scintilla of its mystery is ample testament to his painfully sharp craftsmanship and terrible wisdom.

My Thoughts:

It turns out this was a collection of madness in the form of frenetic poetry and fragments of prose. I thought I could make it through, surviving on the prose but at the 50% mark I simply couldn’t take any more.

I was bored, confused and feeling like someone was grinding broken glass into my earlobes. Not the feeling I want when reading a book. Heck, not the feeling I want, ever.

After the previous book, this was doubly disappointing.

Rating: 1 out of 5.

In the Court of the Yellow King ★★★★✬

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: In the Court of the Yellow King
Series: The King in Yellow Anthology #2
Editor: Glynn Barrass
Rating: 4.5 of 5 Stars
Genre: Cosmic Horror
Pages: 289
Words: 99.5K



Synopsis:

Table of Contents

These Harpies of Carcosa — W. H. Pugmire

The Viking in Yellow — Christine Morgan

Who Killed the King of Rock and Roll? — Edward Morris

Masque of the Queen — Stephen Mark Rainey

Grand Theft Hovercar — Jeffrey Thomas

The Girl with the Star-Stained Soul — Lucy A. Snyder

The Penumbra of Exquisite Foulness — Tim Curran

Yield — C. J. Henderson

Homeopathy — Greg Stolze

Bedlam in Yellow — William Meikle

A Jaundiced Light at the End — Brian M. Sammons

The Yellow Film — Gary McMahon

Lights Fade — Laurel Halbany

Future Imperfect — Glynn Owen Barrass

The Mask of the Yellow Death — Robert M. Price

The Sepia Prints — Pete Rawlik

Nigredo — Cody Goodfellow

MonoChrome — T. E. Grau

My Thoughts:

In the fantasy Wheel of Time series by Robert Jordan, there is a power called Saidin and Saidir. One half can be used by males and the other half by females. The male half, Saidin, was tainted by the Dark One thousands of years before the series starts. The main character, Rand, can use Saidin but is affected by the taint. He describes the experience as wrestling with fire and ice that is covered with a putrid oil. He never feels more alive than when using Saidin but the taint makes him sick and drives him insane.

That is how these two Cosmic Horror Series (Cthulhu & King in Yellow) seem to be affecting me.

I couldn’t stop reading this. The stories dragged along relentlessly. I felt like I had jumped into a river and that it turned out to be way more powerful than anticipated. There were times I was in the center, speeding along, but then there were times when the stories pushed me into the banks or slammed me into hidden rocks beneath the surface. By the end of this I felt battered, emotionally and spiritually. Yet I had never felt so alive either.

It was an extremely disturbing dichotomic feeling. I had to stop and really ask myself if I was capable of reading more of this stuff. While I acknowledge that I have changed over the years, is the change engendered by reading stories like these the kind I want to voluntarily submit to? Whether I like to admit it or not, what we put into our minds does affect us.

Thankfully I don’t have to make that decision right away. I’ve got another month before I cycle back to this cosmic horror duology.

Rating: 4.5 out of 5.

Myths, Part II (Spawn #15) ★★☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Myths, Part II
Series: Spawn #15
Author: Todd McFarlane
Rating: 2 of 5 Stars
Genre: Comic
Pages: 25
Words: 1K



Synopsis:

From Imagecomics.fandom.com

The Clown’s story continues. Medieval Spawn survives the Violator’s blast, but he is horribly disfigured. Even in this state, however, he is able to best Violator with the help of his living suit’s imprisoning tendrils. The Violator’s severed head is hoisted aloft as a grisly trophy of their demonic battle. Ironically, the woman he sought to protect from the Violator is sickened by Spawn’s true form and flees in flight.

The Spawn lays in an alley peacefully resting. When the owner comes out mad that bums in his alley are begging and foraging for scraps, the owner physically pushes Spawn around. Spawn is fed up with people trying to tell him what to do. He beats the man down and barks that this is now spawn territory. The man cowers away.

In Queens, New York, Terry Fitzgerald lays awake, terrified as the mob’s men have threatened his family again and he doesn’t know what to do.

My Thoughts:

So this whole “Myths” story was standing St. George and the Dragon on it’s head. With the Violator being the dragon and Medieval Spawn being St. George. It really pissed me off that the Princess runs away from Medieval Spawn when he reveals his tortured form. I can understand that she doesn’t want to get all “Hugs & Kisses” with him but to run away from him after he’d saved her life and killed the Violator that was torturing her? It also raised the question, to me, of WHY was Medieval Spawn all burnt up too? It doesn’t happen to every Spawn because we saw the fat child killer who became a Spawn candidate still in “prime” condition. And speaking of Medieval Spawn.

Below is an illustration of the fantastic work that McFarlane can do, when he wants to. It is a great illustration of the talents he has. The problem with it is that it simply makes the times where he rough sketches things in that much more noticeable.

Part of me can understand not doing this level of work for every panel but at the same time, why not? Why isn’t McFarlane putting out his best for the whole issue? Why does this particular spread get the love treatment while Terry in his boxers looks almost like a crayon drawing at the end?

Between everything that I’ve experienced with this comic in these 15 issues, nothing has made me want to continue. I don’t like Spawn. I don’t like his human Al Simmons. I don’t like the 2 cops. I don’t like the badguys and I don’t like Wanda. I don’t like the city or the situations and I don’t like the universe portrayed. So I’m done with Spawn. 15 issues is enough of “testing the waters”. Any more testing and I’d be asking for Jaws to come chomp me up into little itty bitty pieces.

Rating: 2 out of 5.

Myths, Part I (Spawn #14) ★★☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Myths, Part I
Series: Spawn #14
Author: Todd McFarlane
Rating: 2 of 5 Stars
Genre: Comic
Pages: 25
Words: 1K



Synopsis:

From Imagecomics.fandom.com

The Clown, being a master of self-promotion, tells the story of a long-ago clash with Medieval Spawn to a small lot of alley kids. He portrays the ancient warrior in the worst possible light and describing him as evil. He takes creative liberties explaining he was the hero of the story. During a battle, a kick from Spawn’s horse sends Violator flying, something snaps inside him and he unleashes a gout of mystical fire. The Violator cackles in triumph over the smoking form of his fallen foe.

Spawn curses himself for letting his emotions get the best of him. Now that Chapel knows he’s still alive, he can no longer remain a shadow. People may discover he’s still alive and come for him.

My Thoughts:

We get the Violator, still in clown form, telling a group of boys a story about his battle with another Spawn 800 years ago. The words he says are at complete odds with the pictures drawn so you know he’s lying out of his teeth. It would seem another Spawn had defied Malebolgia, thus giving us the hint that our Spawn might be treading in the footsteps of another like him.

I have to admit, I don’t think I’m going to make it to the end of the year with this series. It is just too stupid. I’ve mentioned this before, but Spawn is supposed to be a Special Forces kind of guy. He doesn’t let his emotions rule him but so far, that is ALL he’s done in all 14 issues. One stupid mistake or decision after another because of his emotions. It’s not that I want him to be emotionless but I don’t want to see him ruled by his emotions and McFarlane doesn’t go down that route.

Rating: 2 out of 5.

Flashback, Part II (Spawn #13) ★★☆☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Flashback, Part II
Series: Spawn #13
Author: Todd McFarlane
Rating: 2 of 5 Stars
Genre: Comic
Pages: 25
Words: 1K



Synopsis:

From Imagecomics.fandom.com

Spawn recalls playing a baseball game and breaking his ankle. All he can remember is how beautiful she was and how they made love until the sun came up the next morning.

Spawn decides to focus on finding the man who killed him, Chapel.

At Youngblood headquarters, Badrock is on guard duty but distracted by video games. When Spawn trips a silent alarms, he finds Chapel along with teammates Diehard and Shaft. Spawn teleports himself and Chapel to Botswana to complete his fight.

Terry Fitzgerald finds it hard to fall asleep. Now that two men have harassed him, he knows he’s on a watch list which is hard to get on. Yet he can’t figure out why they’d be checking into him.

Twitch Williams and Sam Burke rejoice in their investigation finally being lifted for the murder of Billy Kincaid.

In Botswana, Chapel recalls the orders from Jason Wynn to take out his target when things got hairy. Snapping back into the present, he wrestles with Spawn and exchanges punches. Spawn drives the point home by disfiguring the Chapel’s face with a horrific brand, that resembles the facial warpaint he wore when he murdered Al. As Spawn leaves Chapel, he activates the Youngblood tracking mechanism.

Eight hours later, Shaft and Badrock arrive and ask what Spawn said to him. With a disgusted and angry look, Chapel simply replies with, “Nothing” as he gets on their plane to leave.

My Thoughts:

So Spawn hunts down the guy who killed him originally. He infiltrates the Youngblood’s headquarters (Youngblood’s were Image’s version of the Justice League or the Avengers), teleports Chapel back to where Chapel killed him and proceeds to pummel the ever living daylight out of him. Spawn uses his magic to give Chapel a skull face like his old costume and then leaves him to be found.

The fight boiled down to a couple of punches thrown and the two of them angrily exchanging macho “I’m tougher than you” stupid talk. It was actually kind of embarrassing to read. It also brought home the point that McFarlane is deliberately writing for teenagers. Instead of showcasing Spawn getting some good intel from the badguy the focus is them fighting and Spawn getting his revenge. I’m sure in future volumes Spawn will use the intel from this guy but it will be of the “remember when I beat the crap out of my old killer, well, he told me….” variety.

On a complete side note. I’ve never read the Youngblood comics but after this little introduction I definitely won’t be. I get the “grim and gritty” vibe from them and I’d bet my bottom dollar that the comics are filled with questionable morals about human life and heroism in general.

Rating: 2 out of 5.

Flashback, Part I (Spawn #12) ★★★☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot, & Librarything by Bookstooge’s Exalted Permission

Title: Flashback, Part I
Series: Spawn #12
Author: Todd McFarlane
Rating: 3 of 5 Stars
Genre: Comic
Pages: 25
Words: 1K



Synopsis:

From Imagecomics.fandom.com

Spawn is drawn to the top of the Church again. He ponders how the devil twists people’s souls with his secret weapon, people’s weakness to love. He recalls only being in a church once, which was to marry Wanda. He recalls Terry being there and how he was his best friend. How could Terry betray him and marry Wanda he wonders.

In Washington, D.C., CIA chief Jason Wynn is told by his henchmen that Terry is the number one suspect of compiling damaging information against his bosses and stolen goods. He orders his henchman to have several henchmen make the point clear that he knows about Terry’s secret dealings. He then tells the henchmen to watch him to see where he goes once he’s scarred.

In New York City, Spawn dresses in civilian clothes as he goes to visit Wanda’s blind Granny Blake. He tells her there is an afterlife and he expects her to reach Heaven. He leaves without the heart to tell her that he made it to Hell.

At New York City Police Headquarters, Twitch and Sam discuss how they are now on probation for what happened with Kincaid. Sam mentions it would be a good opportunity to follow up on the lead of the man in the red cape they spotted at Billy’s. He’s heard that he may have been involved in the bum incidents as well.

In Queens, New York, Wanda, Terry, and Cyan walk home to find several of Jason Wynn’s henchman waiting there. One remarks to Terry that he has a nice family and it would be a shame if anything happened to them.

Elsewhere, the bums celebrate the safety Spawn has given them. The celebration takes an ugly turn when a bum tries on Spawn’s mask, only to be nearly strangled by it. Spawn pulls it off and warns them he has no control over his suit and that the suit will attempt to protect itself.

Spawn suddenly experiences another flashback. He realizes that the American flag he keeps seeing in his visions represent his killer. The grim reaper he keeps seeing he realizes is the face paint of his killer. He keeps finding himself drawn to not just the church, but the chapel. He identifies his killer as Chapel.

My Thoughts:

Finally, things move forward a tiny step. I cannot imagine what kids went through who were originally reading this one issue each month. With this issue it would have been a whole year’s worth of comics, and for what? We know Spawn was a special forces guy who was betrayed and was brought back to life to work for a demon. Oh, and that he wuvvssssss Wanda. Dear spacecow, that’s hammered at us in every single issue. Just in case we forgot I guess.

I will say that it was nice to be introduced to another villain, one with a skull face mask, who apparently is the one who killed Spawn in the first place. And we meet their former boss. So, Bad Guys, Assemble! Throw in a couple of Power Twin Rings and we’re ready for a real fracas.

I was talking with SavageDave in the comments of the last issue of Spawn and it made me realize I think I’m going to try to hang onto this series until new years. Then when I’m evaluating what to do for 2022 I’ll make a firm decision to continue this series or not. I’m also trying to not be as hard nosed about the books I read as it affects me in other ways too.

Rating: 3 out of 5.