Julius Caesar ★★★✬☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Julius Caesar
Author: William Shakespeare
Rating: 3.5 of 5 Stars
Genre: Play
Pages: 192
Words: 55K

From Wikipedia:

The play opens with two tribunes (appointed leaders/officials of Rome) discovering the commoners of Rome celebrating Julius Caesar’s triumphant return from defeating the sons of his military rival, Pompey. The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commoners, who return the insults. During the feast of Lupercal, Caesar holds a victory parade and a soothsayer warns him to “Beware the ides of March,” which he ignores. Meanwhile, Cassius attempts to convince Brutus to join his conspiracy to kill Caesar. Although Brutus, friendly towards Caesar, is hesitant to kill him, he agrees that Caesar may be abusing his power. They then hear from Casca that Mark Antony has offered Caesar the crown of Rome three times. Casca tells them that each time Caesar refused it with increasing reluctance, hoping that the crowd watching would insist that he accept the crown. He describes how the crowd applauded Caesar for denying the crown, and how this upset Caesar. On the eve of the ides of March, the conspirators meet and reveal that they have forged letters of support from the Roman people to tempt Brutus into joining. Brutus reads the letters and, after much moral debate, decides to join the conspiracy, thinking that Caesar should be killed to prevent him from doing anything against the people of Rome if he were ever to be crowned.

After ignoring the soothsayer, as well as his wife Calpurnia’s own premonitions, Caesar goes to the Senate. The conspirators approach him with a fake petition pleading on behalf of Metellus Cimber’s banished brother. As Caesar predictably rejects the petition, Casca and the others suddenly stab him; Brutus is last. At this point, Caesar utters the famous line “Et tu, Brute?”[2] (“And you, Brutus?”, i.e. “You too, Brutus?”), concluding with “Then fall, Caesar!”

The conspirators make clear that they committed this killing for the good of Rome, to prevent an autocrat. They prove this by not attempting to flee the scene. Brutus delivers an oration defending his actions, and for the moment, the crowd is on his side. However, Antony makes a subtle and eloquent speech over Caesar’s corpse, beginning with the much-quoted “Friends, Romans, countrymen, lend me your ears!”[3] In this way, he deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus’s speech, yet there is a method in his rhetorical speech and gestures: he reminds them of the good Caesar had done for Rome, his sympathy with the poor, and his refusal of the crown at the Lupercal, thus questioning Brutus’s claim of Caesar’s ambition; he shows Caesar’s bloody, lifeless body to the crowd to have them shed tears and gain sympathy for their fallen hero; and he reads Caesar’s will, in which every Roman citizen would receive 75 drachmas. Antony, even as he states his intentions against it, rouses the mob to drive the conspirators from Rome. Amid the violence, an innocent poet, Cinna, is confused with the conspirator Lucius Cinna and is taken by the mob, which kills him for such “offenses” as his bad verses.

Brutus next attacks Cassius for supposedly soiling the noble act of regicide by having accepted bribes. (“Did not great Julius bleed for justice’ sake? / What villain touched his body, that did stab, / And not for justice?”[4]) The two are reconciled, especially after Brutus reveals that his beloved wife committed suicide under the stress of his absence from Rome; they prepare for a civil war against Antony and Caesar’s adopted son, Octavius, who have formed a triumvirate in Rome with Lepidus. That night, Caesar’s ghost appears to Brutus with a warning of defeat. (He informs Brutus, “Thou shalt see me at Philippi.”[5])

At the battle, Cassius and Brutus, knowing that they will probably both die, smile their last smiles to each other and hold hands. During the battle, Cassius has his servant kill him after hearing of the capture of his best friend, Titinius. After Titinius, who was not captured, sees Cassius’s corpse, he commits suicide. However, Brutus wins that stage of the battle, but his victory is not conclusive. With a heavy heart, Brutus battles again the next day. He asks his friends to kill him, but the friends refuse. He loses and commits suicide by running on his sword, held for him by a loyal soldier.

The play ends with a tribute to Brutus by Antony, who proclaims that Brutus has remained “the noblest Roman of them all”[6] because he was the only conspirator who acted, in his mind, for the good of Rome. There is then a small hint at the friction between Antony and Octavius which characterizes another of Shakespeare’s Roman plays, Antony and Cleopatra.


This was the most enjoyable play of ol’ Shakes that I’ve read in quite some time. I don’t know if it’s because I can appreciate Brutus and his reasoning about why he had to assassinate Caesar or having a group of more mature characters helped, but whatever the reason, I found myself quite enjoying this.

My only issue with Brutus and his actions was that he had decided Caesar was going to take power even though he had declined it three times previously. What gave him that idea? What had Caesar done? Nothing as far as I could tell. But Brutus had the idea stuck in his head and so he murdered a man over something he hadn’t done yet. I’m all for preventative action but that’s taking it a titchy bit too far.

Bad form, old chap, bad form I say!

★★★✬☆

Romeo and Juliet ★★✬☆☆

This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

Title: Romeo and Juliet
Author: William Shakespeare
Rating: 2.5 of 5 Stars
Genre: Play
Pages: 238
Words: 69K

From Wikipedia:

The play, set in Verona, Italy, begins with a street brawl between Montague and Capulet servants who, like the masters they serve, are sworn enemies. Prince Escalus of Verona intervenes and declares that further breach of the peace will be punishable by death. Later, Count Paris talks to Capulet about marrying his daughter Juliet, but Capulet asks Paris to wait another two years and invites him to attend a planned Capulet ball. Lady Capulet and Juliet’s Nurse try to persuade Juliet to accept Paris’s courtship.

Meanwhile, Benvolio talks with his cousin Romeo, Montague’s son, about Romeo’s recent depression. Benvolio discovers that it stems from unrequited infatuation for a girl named Rosaline, one of Capulet’s nieces. Persuaded by Benvolio and Mercutio, Romeo attends the ball at the Capulet house in hopes of meeting Rosaline. However, Romeo instead meets and falls in love with Juliet. Juliet’s cousin, Tybalt, is enraged at Romeo for sneaking into the ball but is only stopped from killing Romeo by Juliet’s father, who does not wish to shed blood in his house. After the ball, in what is now famously known as the “balcony scene”, Romeo sneaks into the Capulet orchard and overhears Juliet at her window vowing her love to him in spite of her family’s hatred of the Montagues. Romeo makes himself known to her, and they agree to be married. With the help of Friar Laurence, who hopes to reconcile the two families through their children’s union, they are secretly married the next day.

Tybalt, meanwhile, still incensed that Romeo had sneaked into the Capulet ball, challenges him to a duel. Romeo, now considering Tybalt his kinsman, refuses to fight. Mercutio is offended by Tybalt’s insolence, as well as Romeo’s “vile submission”, and accepts the duel on Romeo’s behalf. Mercutio is fatally wounded when Romeo attempts to break up the fight, and declares a curse upon both households before he dies. (“A plague o’ both your houses!”) Grief-stricken and racked with guilt, Romeo confronts and slays Tybalt.

Benvolio argues that Romeo has justly executed Tybalt for the murder of Mercutio. The Prince, now having lost a kinsman in the warring families’ feud, exiles Romeo from Verona, under penalty of death if he ever returns. Romeo secretly spends the night in Juliet’s chamber, where they consummate their marriage. Capulet, misinterpreting Juliet’s grief, agrees to marry her to Count Paris and threatens to disown her when she refuses to become Paris’s “joyful bride”. When she then pleads for the marriage to be delayed, her mother rejects her.

Juliet visits Friar Laurence for help, and he offers her a potion that will put her into a deathlike coma or catalepsy for “two and forty hours”. The Friar promises to send a messenger to inform Romeo of the plan so that he can rejoin her when she awakens. On the night before the wedding, she takes the drug and, when discovered apparently dead, she is laid in the family crypt.

The messenger, however, does not reach Romeo and, instead, Romeo learns of Juliet’s apparent death from his servant, Balthasar. Heartbroken, Romeo buys poison from an apothecary and goes to the Capulet crypt. He encounters Paris who has come to mourn Juliet privately. Believing Romeo to be a vandal, Paris confronts him and, in the ensuing battle, Romeo kills Paris. Still believing Juliet to be dead, he drinks the poison. Juliet then awakens and, discovering that Romeo is dead, stabs herself with his dagger and joins him in death. The feuding families and the Prince meet at the tomb to find all three dead. Friar Laurence recounts the story of the two “star-cross’d lovers”, fulfilling the curse that Mercutio swore. The families are reconciled by their children’s deaths and agree to end their violent feud. The play ends with the Prince’s elegy for the lovers: “For never was a story of more woe / Than this of Juliet and her Romeo.


Epic Eye Roll for all the yatzees.

Tybalt deserved to die. The Prince of the City was an idiot for exiling Romeo. So everything that went wrong I place squarely on Tybalt and the Prince. Tybalt stirred up the pot and the Prince didn’t actually do anything wise to settle the dispute between the families. So his last bit of finger wagging at the two patriarchs rang extremely hypocritical to me.

And for goodness sake, why didn’t Juliet and Romeo announce that they were married to all and sundry as soon as it happened? That would have taken the wind out of Tybalt or maybe he would have killed Romeo, but since Romeo ended up dead anyway, that isn’t gambling much.

I am afraid I am going to have a very bad attitude towards Shakespeare’s stuff for the rest of the time that I spend reading this Complete Collection. I feel it is a bit unfair, especially since no one is making me do this, but my goodness man, figure out a way to get the tragedy you want without people being 100% stupid.

★★✬☆☆

Two Noble Kinsmen ★☆☆☆½

twonoblekinsmen (Custom)This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission
Title: Two Noble Kinsmen
Series: ———-
Author: William Shakespeare
Rating: 1.5 of 5 Stars
Genre: Play, Tragic Comedy?
Pages: 246
Words: 71K

 

Synopsis:

From Wikipedia

A prologue informs the audience that the play is based on a story from Chaucer.

Three queens come to plead with Theseus and Hippolyta, rulers of Athens, to avenge the deaths of their husbands by the hand of the tyrant Creon of Thebes. Creon has killed the three kings and refuses to allow them proper burial. Theseus agrees to wage war on Creon.

In Thebes, Palamon and Arcite, cousins and close friends, are bound by duty to fight for Creon, though they are appalled by his tyranny. In a hard-fought battle Palamon and Arcite enact prodigies of courage, but the Thebans are defeated by Theseus. Palamon and Arcite are imprisoned, but philosophically resign themselves to their fate. Their stoicism is instantly destroyed when from their prison window they see Princess Emilia, Hippolyta’s sister. Both fall in love with her, and their friendship turns to bitter rivalry. Arcite is released after a relative intercedes on his behalf. He is banished from Athens, but he disguises himself, wins a local wrestling match, and is appointed as Emilia’s bodyguard.

Meanwhile, the jailer’s daughter has fallen in love with Palamon and helps him escape. She follows him, but he ignores her: still obsessed with Emilia. He lives in the forest half-starved, where he meets Arcite. The two argue, but Arcite offers to bring Palamon food, drink and armaments so that they can meet in an equal fight over Emilia.

The jailer’s daughter, forsaken, has gone mad. She sings and babbles in the forest. She meets a troupe of local countrymen who want to perform a Morris dance before the king and queen. Local schoolmaster Gerald invites the mad daughter to join the performance. Theseus and Hippolyta appear, hunting. Gerald hails them, and they agree to watch the yokels perform a bizarre act for them, with the jailer’s mad daughter dancing. The royal couple reward them.

Arcite returns with the food and weapons. After a convivial dinner with reminiscences, the two fight. Theseus and his entourage arrive on the scene. He orders that Palamon and Arcite be arrested and executed. Hippolyta and Emilia intervene, and so Theseus agrees to a public tournament between the two for Emilia’s hand. Each warrior will be allowed three companions to assist them. The loser and his companion knights will be executed.

The jailer finds his daughter with the help of friends. He tries to restore her mental health. On the advice of a doctor, he encourages her former suitor to pretend to be Palamon so that she will be gradually accustomed to see him as her true love. His devotion slowly wins her over.

Before the tournament, Arcite prays to Mars that he win the battle; Palamon prays to Venus that he marry Emilia; Emilia prays to Diana that she be wed to the one who loves her best. Each prayer is granted: Arcite wins the combat, but is then thrown from his horse and dies, leaving Palamon to wed Emilia.

 

My Thoughts:

I did not enjoy this at all.

For one thing, there wasn’t any comedy. I can see where you could mine comedic gold from 2 cousins fighting over the princess of the country they were just fighting against, but this was all serious business.

Secondly, reading Shakespeare can be hard enough, but this time around he used what is I’m guessing his equivalent of “old timey language” to make it appear as if this was some old story. There were times I simply could not comprehend what was being said or what was trying to be conveyed.

Thirdly, in conjunction with that, the plot was almost opaque to me. It wasn’t until I read the Wiki synopsis that I felt like I had a grasp of what I had actually read.

Really felt like I wasted my time and I simply tried to get through this as fast as possible to get it over with. That is NOT how I like to read my books nor do I recommend it to anyone. Poop.

★☆☆☆½

 

bookstooge (Custom)

 

Bookstooge & Star Wars: A Tragedy of Shakespearian Proportion

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Last month (or so) Ola and Pio from Re-Enchantment of the World, did a Nostalgia post on Star Wars.  If you haven’t read it and have any love of Star Wars, I highly recommend their post, it was fantastic! It also reminded me that I had been a big fan of Star Wars for a very long time.

I know that now whenever Star Wars is now mentioned I’m pretty negative about it. I don’t keep that a secret, whether it is about the books or new movies. But it wasn’t always that way.

I was born in the late 70’s and by the time Return of the Jedi had come out I was aware enough of Star Wars to know how awesome it was. Of course, that was mainly because a neighbor boy had almost all the toys.  But I became very well versed in the Star Wars lore based on those toys.  As time passed I watched the movies from the library, on vhs.  You might say I was as much a naive farm boy was Luke ever was.

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When the Special Edition vhs editions came out in ’97, I bought them and me and my siblings and some friends had a Star Wars party. I don’t remember what everyone dressed up as, but it was cool. We were pretty cool in fact and we loved Star Wars. Even now, when I don’t have a vhs player or anyway to watch these, I’m not giving them away. They have Memory Value to me, big time.

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After that, I began to devour the Star Wars Extended Universe books. The Thrawn Trilogy was my gateway, like for so many other people and it just went on from there. The EU was really expanding and a new Star Wars book would come out every couple of months it seemed like. Even with the bad ones I felt like I was swimming in gravy. When you’re 19, a year is a long time and anything from a niche cult classic was good.

I bought, played and beat the Dark Forces II: Jedi Knight video game on both Light and Dark paths.

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I bought the boxset of the audio tracks for the original trilogy too.

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Then the prequels came out. I can remember how EXCITED I was for Episode One.  I remember hearing someone say they didn’t think it was that great and I distinctly know the word “blasphemy” sped across my mind. I was convinced it was going to be so great.  On one of our field trips I saw the book in a bookshop and spent some of my very precious cash on it. I sat in the van the rest of the afternoon reading it instead of going on tours and seeing the Washington Monument and other such useless things. Star Wars was more important. Then I watched it with a group of guys at Bibleschool.  I enjoyed it immensely but deep down inside I realized exactly what that person who spoke blasphemy meant. It was not “Great” with a capital “G”.

But it didn’t matter because more and more books were coming out. Prequel books, Clone War era books, then the massive 21 books series collectively known as the New Jedi Order.  More and more and more books. The rest of the prequel movies came out as well and that was when everyone realized Lucas wasn’t the genius behind the original trilogy. We got lucky he didn’t direct them. But I still loved Star Wars.

Star Wars had moved from the Niche Cult Classic into the Main Stream and I was a fan. I watched Star Wars, I read Star Wars, I played Star Wars, I listened to Star Wars.

**STRONG AND PROFANE LANGUAGE. I APOLOGIZE AHEAD OF TIME**

Sadly, the prequels were the first small step onto my journey towards becoming a Non-Fan. When Lucas released the original trilogy on dvd for the first time, he fucked every fan in the ass with no lube, laughed at us and told us to shut the fuck up and ask for more. If you don’t know what I’m talking about, please feel free to ask in the comments.

***END STRONG AND PROFANE LANGUAGE***

But the books kept on rolling out. The EU was growing. New characters were trying to emerge. Then the next big hit came. In 2014 the EU was declared Non-Canon. It was unceremoniously chucked out the window to make room for Disney, which Lucas had sold Star Wars to. Star Wars was now a common franchise whore. No longer a precious jewel to be cherished by her fans but a wildly successful money maker. George Lucas knew no shame and Disney never had any.

My hope, while just an ember, was still producing heat. The Force Awakens would surely redeem all these business decisions, right? Then I watched the movie and my final flame of hope flickered out.  Star Wars was now nothing but grey ash that greedy bullies had pissed all over.  A literal lifetime of fandom was dead. The only lesson I learned was to never become too invested in something you don’t control, because some jerk will eventually destroy it. Thus my Journey from Farmboy Jones to Darth Bookstooge was completed. (Man, I’m depressing myself here. Sorry about that.)

There is no happy ending for me here. The best I can do is to try to not rain on other peoples’ blogs when they go on about new Star Wars books and even then I know I’m not successful. See, I told you this was a tragedy worthy of Shakespeare.

 

bookstooge (Custom)

 

ps,

My apologies for dragging Ola and Pio’s wonderfully upbeat post into such a sad one.